Perfect All-Kill (PAK) is one of the most prestigious milestones in K-pop. A song earns a PAK when it simultaneously tops all major real-time, daily, and weekly charts, including Melon, Genie, Bugs, FLO, VIBE, and YouTube Music Korea, while also ranking No. 1 on Instiz’s real-time and weekly iChart. For solo artists, accomplishing this feat is even more remarkable, as it reflects both public appeal and long-lasting impact.
Over the years, only a select number of K-pop soloists have managed to dominate the charts to this extent. Here’s a look at the top 10 songs by K-pop soloists with the most Perfect All-Kills in history.
1. Good Goodbye [HWASA] — 750 PAKs
Hwasa’s latest hit, “Good Goodbye,” sits at the top of the list with an impressive 750 Perfect All-Kills, making it the most successful soloist song in PAK history. The track resonated deeply with listeners through its raw lyrics, heartfelt vocals, and universal theme of parting, showcasing Hwasa’s strength as both a vocalist and storyteller.
2. Celebrity [IU] — 462 PAKs
IU’s “Celebrity” became an instant cultural phenomenon upon release. With its uplifting message about self-worth and individuality, the song achieved 462 PAKs, reinforcing IU’s reputation as one of South Korea’s top chart-toppers and a digital music powerhouse.
3. Love Wins All [IU] — 339 PAKs
Another standout hit from IU, “Love Wins All” captivated audiences with its emotional depth and cinematic quality. The song earned 339 Perfect All-Kills, proving IU’s unmatched consistency and her ability to connect with listeners across generations.
4. Any Song [ZICO] — 330 PAKs
ZICO’s viral hit “Any Song” dominated both charts and social media, thanks to its addictive beat and dance challenge. With 330 PAKs, the track became a defining moment in Korean pop culture and highlighted ZICO’s influence as a trendsetter.
5. APT. [ROSÉ] — 282 PAKs
BLACKPINK’s Rosé made a powerful mark as a soloist with “APT.” Featuring American star musician Bruno Mars, the track accumulated 282 Perfect All-Kills, cementing Rosé’s successful transition into a chart-dominant solo artist.
6. LILAC [IU] — 223 PAKs
Released as a farewell to IU’s twenties, “LILAC” blended nostalgia with upbeat pop elements. The song recorded 223 PAKs, once again demonstrating IU’s ability to balance commercial success with artistic expression.
7. TOO BAD [G-DRAGON] — 222 PAKs
G-DRAGON’s most anticipated comeback hit, “TOO BAD,” showcased his signature charisma and genre-defying style. With 222 Perfect All-Kills, the track reaffirmed his status as one of K-pop’s most influential solo artists and creative icons.
8. EVENT HORIZON [YOUNHA] — 156 PAKs
“Event Horizon” by Younha enjoyed a rare resurgence, slowly climbing the charts through emotional resonance. Its 156 PAKs highlight the power of organic growth and strong songwriting in the digital era.
9. BAM YANG GANG [BIBI] — 156 PAKs
BIBI’s quirky yet emotionally layered “Bam Yang Gang” matched Younha’s PAK count with 156 Perfect All-Kills. The song stood out for its unique charm, relatable lyrics, and BIBI’s distinctive artistic identity.
10. BLUEMING [IU] — 142 PAKs
Rounding out the list is IU’s “Blueming,” a bright and refreshing pop track that earned 142 PAKs. Despite its lighter tone, the song showcased IU’s versatility and her enduring dominance on Korean music charts.
These songs represent the highest level of digital success for K-pop soloists, reflecting not just momentary hype but sustained public love. Future solo releases may challenge or even surpass these records, but for now, these tracks remain historic benchmarks in K-pop history.
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